The last month or more has passed in a fog that coincides
with the annual Studio Tour. A late rush of printing starting in the summer and early
fall are followed by a few weeks of show prep in October – matting, then milling and
constructing frames, then coloring them before assembling all the parts
into a finished piece.
And then there’s the two weekends of opening the house and
studio up to the public. Twelve hours of show time each weekend that span the
entire length and breadth, the ups and the downs that go along with putting
your work out there for others to see.
I don’t live in town like the bulk of the 70 artists that
participate on the tour. There’s a furniture maker a mile or so down the road. And
a water colorist lives a mile or so in the opposite direction. My closest neighbor
Scott, a painter, has been on the tour for several years but he didn’t
participate this year.
Drive a mile or two in any direction in town and you’re
likely to pass 20 or 30 participating studios. Drive a mile or two in any direction out here and you’ll pass more cows and horses than artists.
All of this is to say that I’ve never
gotten the kind of traffic that town artists get. On good days, 50 or more
people come out. A good day for a town artist means closer to 100 visitors.
This year, I didn’t have that many people stop by over the
first weekend. That made for two long boring days. But the second weekend was
nice and lively. A good, steady flow of traffic both days and thankfully, quite a few sales.
And then there’s the morning after all of that. That’s the Monday after
the second tour weekend. That day starts a little slower than usual. Slow sips of coffee. A little extra reading. And then I walk around the house and yard
with a notepad, writing down all the chores that have been neglected for several
months. That list is always long. It can run to several pages -- this year's is 3. Checking things
off that list is what I’ve been busying myself with the past couple of weeks. Cut, prep and install shelves in bedroom closet, Clean solar panels before winter sets in, are two successfully completed tasks. Another is: Clean basement. Not as of yet. But from here I'll spread the remainder of the list out over time, with less rush to scratch than three weeks ago.
Along the way, I went through and selected five photographs from Ireland, 5 from my Manbites Dog Series, and 5 of a more local or personal nature to occupy the coming winter. I've just begun the process of making enlarged negatives from each of those photographs. Scanning the original negatives is next up for most of these though I've already got the manbites scans on file from last year's book project. Here they are, ready for inversion to negative.
While scanning the others, I can begin to print these. The darkroom beckons!
